April 21, 2013
seanhowe:

“I remember the straw that broke the camel’s back. I had drawn a double-page spread in one of the Strange Tales sequences featuring Nick Fury on trial by Baron Strucker and the agents of HYDRA. I had something like a hundred figures in the background, all individual figures. I wrote a note to the colorist, Stan Goldberg, saying, “Stan, color all these men individually.” Stan would probably put a sheet of blue over the whole thing, and that seemed criminal, because—although it might look good—after all I had done all that work putting in all those figures, I didn’t want them all obliterated. I took the story up to Marvel, and Stan [Lee] looked at it and said, “I’ve had it, Steranko. Do it yourself. Take it away. I never want to see you again; just take the stuff away and color it yourself.” So I started coloring all my material at that time, at $2.00 per page; later it went to $3 per page. I could only color about ten pages a day, so you can see I was losing a lot of money. I could have just been penciling for two or three times as much; but the strip emerged a more perfect marriage of concepts as a result. So I was willing to take less money, by using that time to color and thereby make the story come out better.”—Jim Steranko to George Olshevsky, 1977

seanhowe:

“I remember the straw that broke the camel’s back. I had drawn a double-page spread in one of the Strange Tales sequences featuring Nick Fury on trial by Baron Strucker and the agents of HYDRA. I had something like a hundred figures in the background, all individual figures. I wrote a note to the colorist, Stan Goldberg, saying, “Stan, color all these men individually.” Stan would probably put a sheet of blue over the whole thing, and that seemed criminal, because—although it might look good—after all I had done all that work putting in all those figures, I didn’t want them all obliterated.

I took the story up to Marvel, and Stan [Lee] looked at it and said, “I’ve had it, Steranko. Do it yourself. Take it away. I never want to see you again; just take the stuff away and color it yourself.” So I started coloring all my material at that time, at $2.00 per page; later it went to $3 per page. I could only color about ten pages a day, so you can see I was losing a lot of money. I could have just been penciling for two or three times as much; but the strip emerged a more perfect marriage of concepts as a result. So I was willing to take less money, by using that time to color and thereby make the story come out better.”

—Jim Steranko to George Olshevsky, 1977

(via dirtyriver)

March 23, 2013

pickurselfup:

Horse Feathers, 1932

(via vintageilike)

February 27, 2013

February 20, 2013
byrdseed:

“Consider again that dot. That’s here. That’s home. That’s us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every ‘superstar’, every ‘supreme leader’, every saint and sinner in the history of our species lived there – on a mote of dust suspended in a sunbeam.
To me, it underscores our responsibility to deal more kindly with one another and to preserve and cherish the pale blue dot, the only home we’ve ever known.”
—Carl Sagan

byrdseed:

“Consider again that dot. That’s here. That’s home. That’s us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every ‘superstar’, every ‘supreme leader’, every saint and sinner in the history of our species lived there – on a mote of dust suspended in a sunbeam.

To me, it underscores our responsibility to deal more kindly with one another and to preserve and cherish the pale blue dot, the only home we’ve ever known.”

—Carl Sagan

(via thepinesaredancing)

December 21, 2012
It’s cold inside too, where I live.

It’s cold inside too, where I live.

(Source: onechicktongueflick, via tonyivan)

December 21, 2012
ilkercaha:

Snowy İstanbul 🎶Sam Brown [Stop]🎶

ilkercaha:

Snowy İstanbul 🎶Sam Brown [Stop]🎶

November 26, 2012

sapphrikah:

howtobeterrell:

briyah:

annsthewo-man:

unthinkme:

bankuei:

jalwhite:

looseleef:

BTW, the guy on the left is the person police arrested for the killing of three Brooklyn shopkeepers and the “guy” on the right is the sketch the police originally released.

THANK YOU.

I saw this last night and I was so angry. Like, really? 

So.  Uh.  Is this just their “Stock Negro Criminal” drawing they pull out for all crimes?  BECAUSE HOW THE FUCK DID YOU GET THIS PICTURE FROM ANY DESCRIPTION OF THAT DUDE?

Are you fucking kidding me?

The bold. I’m so over NYPD and their bullshit.

WOW. I can’t even.

it looks like Aubrey lol (Drake)

I thought it was Drake too.

(via mollycrabapple)

November 26, 2012
littlebunnysunshine:

Ballpoint Pen Kitty by =kleinmeli

littlebunnysunshine:

Ballpoint Pen Kitty by =kleinmeli

October 23, 2012
"I cannot see a future without [Love and Rockets]."

lookuplookup:

“I cannot see a future without [Love and Rockets]. The only thing I can see in the future is I picture Love And Rockets number whatever way down the road and they have to explain: “This special issue, Jaime died halfway through doing it. So there’s going to be some pages with just pencils on it and some blank pages. But we thought we owed it to him to finish it, to print it.” A half-issue and then, well, that’s it.” - Jaime Hernandez, AVC interview

Man, I don’t know what’s going on with me today but I totally cried reading this interview.

October 23, 2012
Facts and Trivia About "The Phantom Of The Opera" and It's Ending (1925/1929)

the-asphalt-jungle:

- It is most famous for Lon Chaney’s intentionally horrific, self-applied make-up, which was kept a studio secret until the film’s premiere. He devised all of it himself.

- The only surviving cast member is Carla Laemmle(born 1909), niece of producer Carl Laemmle who…